When Darling debuted in 1965, Bosley Crowther of the New York Times remarked that director John Schlesinger had “made a film that will set tongues to wagging and moralists wringing their hands.” There was plenty of tongue-wagging over this satirical study of the professional rise and personal fall of a young British fashion model, but it all had to do with the excellence of Frederic Raphael’s script, the brilliance of Schlesinger’s direction, and the fine performances of a cast headed by veterans Dirk Bogarde and Laurence Harvey and a rising young newcomer named Julie Christie.
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